Miles Davis Quintet at the Blackhawk, SF
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San Francisco Bay Area Jazz and Beyond
Douglas' Keystone band consists of Marcus Strickland on saxophones, Jamie Saft on Wurlitzer keyboard, Brad Jones on bass, Gene Lake on drums and DJ Olive on turntables. Drawing from jazz, drum 'n' bass, electronica and the early '70s funk jazz of Miles Davis, "Keystone" is a haunting, formidably original creation that certainly sounds like no other music ever scored to a silent film. Douglas says he knew he had to come up with a fresh approach after he saw Arbuckle's work.
"The acting and all that's happening is so well choreographed that it would have been redundant to make the kind of sound effects that you generally hear on film scores," he says. "Instead, I tried to create themes that apply a counterpoint that underlines the movies' themes, that gives an alternative meaning.
"And as I kept manipulating the sounds, I started to feel I had a comradeship with Arbuckle because he was experimenting every day. You can see him think, 'How am I going to capture this gag?'
"I don't know what I've got going," Allison said from his Long Island home, his soothing Mississippi drawl still in evidence. "I used to tell a joke. Mose the singer and Mose the songwriter got together and said if we could just get rid of this piano player we can make some serious money. The fact is that I try to play jazz piano, and I keep at it, but nobody knows what my classification is. They ask me if I'm a blues person or a jazz person, but I don't consider myself anything. That's up to other people. I've never seen me, you know?"
Mose Allison performs with drummer Pete Magadini and bass player Bill Douglas at 7:30 p.m. Thursday at Herbst Theatre, 401 Van Ness Ave., San Francisco. $24-$44. (415) 788-7353, http://sfjazz.org/.
This fund goes directly to sustain our NOMC-in-Exile operations until January 2006 and to provide direct assistance to musicians ( from purchasing gasoline to school uniforms for their children and everything in between.)
The New Orleans Musicians' Clinic (NOMC) is an innovative not-for-profit occupational medicine and wellness partnership offering comprehensive health care to our community's most precious resource: our musicians. Our sponsors are the Daughters of Charity Services of New Orleans, The New Orleans Jazz and Heritage Foundation, and the LSU Health Care Network. Dedicated on May 2, 1998, NOMC became the first such health initiative in the United States, addressing the health care needs of musicians and their families, an under-served segment of the population. To date our dedicated consortium of service providers has treated more than 1000 local musicians.
This fall, as heard on the group's acclaimed 2004 CD, Experience, the ever-vital WSQ breathes new fire into the repertoire of rock icon Jimi Hendrix...
The group takes the stage in San Francisco as a supercharged septet, with its namesake saxmen founding members David Murray, Oliver Lake, and Hamiet Bluiett plus newcomer Bruce Williams joined by trombonist Craig Harris, bassist Matthew Garrison, and drummer Lee Pearson.
When completed in 2007, the $68 million development at Fillmore and Eddy streets will have 80 condominiums, a new Yoshi's music club, a jazz heritage museum, a new restaurant and two parking garages for more than 200 cars...
Peter Fitzsimmons, who will run the 6,000-square-foot heritage museum, said the neighborhood's jazz history will thrive in the new center.
"The Fillmore was an amazing stage for the kids of our city, including my dad," said Fitzsimmons, the son of Smith and late community activist Pat Nacey. "They would meet and play and jam with the greats, and sometimes get their careers launched."
Old-timers especially remember the years after World War II, when San Francisco was still a segregated city, and traveling jazz bands would congregate after hours at Fillmore hot spots like the Havana Club, Elsie's Breakfast Club and Jimbo's Bop City.
Coincidently, I just received the following message in this morning's email. Unusual, to say the least - we certainly seem to attract an eclectic audience! He didn't leave his mailing address, so looks like we've lost a big sale. I'll try an email reply, but it appears to be via a Radio Shack store in North Carolina, so don't hold your
breath... JS-------- Forwarded Message --------
Hello Mr. Shifflett hower you doing. Me an my dog was lisening to the radio yestiday and the most funny sounding song come on. Now that dog dint howl like he normaly duz when I put my records on so I figgered his ears was confewzd. But then my old lady comes in and sez lookithat animule's keeping time with his tail. Blest if I know how he herd the beat cuz I sure cudnot but there you are. So then the radio man sez you are playing the bass and I herd some of them licks you let off and I figger you got a nice Nashville bass with 4 strings cuz I play me a 1 string gutbukit with Pete And The Big Pickers on frydays over in Ridgetown. And I dont bleeve nobody can play that many notes on a gutbukit. So anyways I had this fella at radioshak find out about you on his computr with his ww progam and you all seem like nice boys and my old lady sez to send 17 records COD cuz shes got some long hares on her side what she wants to givem fer Crismus.
Yor musicul comrad
Nelson H. Littleton
ps Pete dont have no record but if you make a fonecall to Billys Inn in Ridgetown any fryday nite tell old Billy to hold the fone up in the air for a wile and Im the one on the gutbukit and singing the slow songs.
-------- End Forwarded Message --------
The San Jose saxophonist has been a mainstay on the Bay Area music scene for nearly two decades, and her new album, "Intention'' (Open Path Music), reveals an artist whose musical world is predicated upon the primacy of beautifully rendered melodies.
"The project is melody-based,'' says Strom, who celebrates the release of "Intention'' on Saturday at Boas Club Elite in Cupertino. "I wanted the beauty of melody and tone, to capture all the instruments with the best sound possible.''
She performs with the group featured on the album, including her husband, guitarist Scott Sorkin, and Adam Shulman on keyboards, drummer Jason Lewis and
bassist John Shifflett. A number of guest musicians will also be on hand, including Pruitt.
Much as we love the old Gryphon T-shirt design, after over 25 years of looking at the same logo everybody around here was ready for something different. The “Robot Johnson” design is of course from Robert Armstrong, famed underground cartoonist and founding member of the Cheap Suit Serenaders. If you’ve logged onto our website (gryphonstrings.com) you’re already familiar with Bob’s somewhat twisted sense of humor. We’ve run the design shown here a couple of times as ads in Acoustic Guitar Magazine, and people have called and emailed suggesting we issue a T-shirt, so we did. Leave it to Bob to combine all the hoopla about blues legend Robert Johnson, and the new fad for robots, into one character, Robot Johnson, complete with handy oil can and mechanical mascot. And any self-respecting robot would have to play a metal National guitar, don’t you agree?
Fresh Air from WHYY, October 12, 2005 · Musicians Harry Connick Jr. and Branford Marsalis, two New Orleans natives, have been friends for years -- back to the days when Connick took piano lessons from Marsalis' father, Ellis.
And when their hometown was devastated by Hurricane Katrina, Marsalis and Connick sought to help any way they could. Marsalis' brother Wynton organized a benefit concert in New York. And Branford's label, Marsalis Music, is releasing a benefit CD, Celebration of New Orleans Music to Benefit the Musicares Hurricane Relief.
This trio of shape shifting musicians shatters musical paradigms by melding elements of jazz, classical, and eastern music over the soundtrack of a punk rock life.
All that Jazz is a fundraiser for survivors of the Katrina disaster. The aim is produce a gem of crazy quilt or quilts to be auctioned in March on the six month anniversary of the disaster. They will be sold on Ebay in the United States with the money going to American Red Cross.